Ghulam Nabi Dar, a distinguished 72-year-old artisan hailing from Srinagar, who recently received the prestigious Padma Shri award for his exceptional contributions to the art of wood carving, underscores the vital role of government acknowledgment and assistance in the conservation of age-old crafts.
Having devoted himself tirelessly to his craft for more than six decades, Dar's dedication has earned him widespread acclaim, culminating in this significant national honor announced on the eve of the nation's 75th Republic Day celebration.
Many observers believe that Dar's recognition will serve as a catalyst for the revitalization of a craft deeply rooted in Kashmir's heritage, exemplifying the endurance of traditions that have endured the test of time.
In an interview with PTI conducted on Friday, Dar recounts his challenging journey to prominence.
Born into adverse circumstances, Dar was introduced to the world of wood carving at a tender age. Despite facing initial rejection from craftsmen reluctant to impart their knowledge, his persistence eventually led him to a mentor named Nooruddin Tikoo, who shared his expertise through intricate designs on paper.
"At the age of 10, when my father faced financial setbacks and could no longer afford my education, I was forced to leave school. It was then that my maternal uncle took me and my younger brother to a wood carving unit at Sarai Safakadal, where we began learning the craft," Dar, who resides in the Sekidafar area of old Srinagar city, recounted.
While Dar acknowledges that he did not acquire much knowledge during his initial five-year stint at the wood carving unit, the experience kindled his passion for the art, motivating him to pursue it as a means of livelihood.
"I encountered numerous obstacles in mastering this art. Many craftsmen turned me away, doubting my ability to learn... However, my determination and hard work prevailed, for which I am grateful to the divine," he remarked.
"Tikoo, despite suffering a stroke that paralyzed his right hand, agreed to impart his knowledge to me through designs on paper when he learned of my plight. I diligently followed his instructions, and thus, he became my mentor in this art," Dar explained.
As Dar's artistic capabilities flourished, he transitioned from replicating traditional designs to crafting his own distinctive creations inspired by nature. His talent was formally recognized with a state award in 1984, followed by an opportunity to work in Baghdad during the early 1990s. His craftsmanship attained new heights when he was bestowed with the National Award in 1995-96.
Dar and his family are overjoyed by the acclaim his work has garnered.
"I am immensely pleased, as is my family... Awards serve as a source of encouragement for artisans, spurring them to excel in their respective fields. Without government support, artisans may lose interest," he remarked.
Expressing gratitude for the recognition bestowed upon him, Dar underscores the critical role of governmental assistance in safeguarding traditional arts. He advocates for the establishment of comprehensive institutions or workshops aimed at training and incentivizing young artisans, thereby ensuring the preservation of wood carving for future generations.
With his son following in his footsteps, Dar remains optimistic about the continuity of his craft, stressing the ongoing need for sustained interest and support from both the government and the public.
