Sri Sri Ravishankar, the spiritual leader associated with the Art of Living, expressed his views on Wednesday regarding the consecration of temples after the 'prana pratishtha' of the idol, particularly in response to objections raised by Jyotishmath Shankaracharya Avimukteshwarananda Saraswati concerning the upcoming consecration of the Ram temple in Ayodhya. According to Ravishankar, while the Shankaracharyas represent a specific school of thought, there exist alternative provisions permitting the construction of temples even after the prana pratishtha.
Highlighting examples to support his argument, Ravishankar cited the instance of Rameswaram in Tamil Nadu, where Lord Rama performed the prana pratishtha of a Shivalinga in the absence of an existing temple. Subsequently, the temple was constructed. He also mentioned the initial modest sizes of the Madurai temple and the Tirupati Balaji temple, which were later expanded by kings.
Justifying the necessity for a temple in Ayodhya, Ravishankar asserted that it serves as a rectification of historical injustices dating back 500 years. He expressed joy at the fulfillment of a long-awaited dream, emphasizing the celebratory atmosphere and widespread enthusiasm across the nation.
Characterizing an ideal society as 'Ram Raj,' Ravishankar conveyed the concept of equality, justice, happiness, and prosperity for all. He observed that while certain societies may be prosperous but unhappy, or happy but not prosperous, the aspiration of the people in India has been for a society embodying both prosperity and happiness, characterized by justice and equality.
According to the Art of Living founder, India is progressing toward this ideal as it emerges as one of the leading economies globally, surpassing many other nations. Reflecting on the life of Lord Ram, Ravishankar praised him as an exemplary brother, symbolizing brotherhood, compassion, and inclusivity. He highlighted Lord Ram's interactions with diverse individuals, such as embracing fishermen, boatmen, and the tribal woman Shabari in the forest, as a representation of unity in diversity across a broad spectrum.
